Some of these models used a “M-” prefix or “M” suffix around the model number. Hawaiian square neck models used a “P-” prefix or “H” suffix. The most common model. The second most common model, appeared in catalogs in but may have been available a year earlier , and hence should always have a pickguard or at least two holes in the body where a pickguard was mounted. The aluminum body makes for minimal midrange and practically no bass. Also this models have a serious problem with paint adhesion paint just doesn’t stick well to aluminum. The worst sounding Dobro fiddle edge, but sold correctly as being “light as a feather”. Appeared in catalogs in but may have been available a year earlier , and hence should always have a pickguard or at least two holes in the body where a pickguard was mounted. Nickel plated brass body with no engraving or sometimes a border engraving around the outside body edge , dot fingerboard inlays, rosewood fingerboard usually unbound , mahogany neck, round window soundholes, peghead with “Dobro” decal or pearl “Dobro” crest. A nice attractive model, but looks better than it sounds because of the brass body.
Antique and Vintage Banjos
January 20, , As you can see, it could mean many things depending on the manufacturer. Alembic The first 2 numbers of the serial number correspond to the year it was built. There may also be present a letter code designating a certain model. The latter digits indicate the individual instrument and its place in production.
Washburn M3E Mandolin Pack. by Washburn. $ $ FREE Shipping on eligible orders. Washburn Timeless Celtic A4 Mandolin (With CASE) by Washburn. These are the classic mandolins that date back to the early s and feature delicate bodies coupled with ornate flourishes that give them an elegant appearance. On the sides, you’ll.
The Larson Brothers were among those who supplied Wulschner, and although such instruments are uncommonly rare, a small handful are known to exist. We have labeled the instrument pictured here a Style 6, which is the closest Stahl equivalent we could suggest. Built of Brazilian Rosewood and tight-grained Red Spruce, this regal is a fairly ornate guitar. The guitar’s top is bordered with multicolored wooden purflings and has a matching rosette; pearl inlay grace the fingerboard, headstock, and bridge; the back’s center-strip is of the same purfling stock that decorates the top, and the entire instrument is bound in white celluloid.
For a turn of the century instrument, this guitar has a quite modern feel. The frets are original, and although quite small, the guitar is well set up and plays very nicely with low action.
Béla Fleck and Abigail Washburn explore new territory on their signature instrument
What does my warranty cover? The Washburn warranty provides coverage against defects in manufacturing for the lifetime of the original purchaser. Please note, that most imperfections or problems attributed to the manufacture of your instrument will generally occur or become apparent early on. If you detect or suspect any problems with your instrument, please contact either the dealer it was purchased from or us as soon as possible.
It seems that when you attend a bluegrass festival or convention, mostly what you seen are Gibson banjos or Gibson look a like banjos. There are many Gibson look a like banjos. Many built by very good builders, and some have the Gibson logo and some have the builder’s name.
Lyon and Patrick J. The company achieved independence by , and around the company launched fully into fretted and plucked instruments guitars , mandolins , banjos , and zithers  under the “Washburn” brand, which happened to be Lyon’s middle name. As well, they built instruments for other retailers and distributors under various house brands , and outsourced construction of some models. In , Washburn introduced the Lakeside Jumbo guitar, which some consider the first dreadnought-sized guitar.
George Lyon retired from the company in died Patrick Healy then led the company into a period of major expansion, beginning with a larger new factory and improved mass-production techniques, and soon dominated the domestic market. Tonk Brothers turned to manufacturer J. Stewart Company to purchase and operate the massive factory, but this transition proved problematic and Stewart went bankrupt in Regal was chosen to reopen the Washburn factory producing Regal instruments as well.
Though the Washburn brand was preserved, it never regained its preeminence, and by the early s had declined to nothing. Modern era[ edit ] An unbroken lineage is often alluded to by Washburn International, in press releases and advertising materials, and on the company website:
Washburn M108SW F-Style Mandolin
This means that these banjos were made prior to They were produced with two different tone ring styles, the arch top raised head and the highly sought after flat head. Metal was in short supply during World War II, so production was suspended during this time, although a small number of banjos were produced using the parts already made. Also in April Gibson changed their logo from script to block lettering for identification purposes.
This was also the beginning of the Bowtie banjos, which lasted until , but with a peg head change in The Bowtie banjos were available in arch top or flat head, and some of the flat head tone rings had 20 holes and some had 19 holes.
Feb 03, · Is there something written that shows what the letters are of guitar serial numbers? Washburn J56SWNA Timbercraft Washburn D34SCE Augusta Washburn WD18SW The neck plate of each guitar has the date it was completed along with the letters A,N or P which stands for a.m., noon or p.m.
Personally, they’re navigating one of life’s most common and enduring problems — juggling professional ambitions while still trying to emphasize family. Partners in both ventures, the married banjo-playing duo is playing a trio of venues in Alaska this weekend. Fleck and Washburn have been musical trailblazers in part because few other banjo duos have ever existed. But they’ve set a template for what is possible with skill sets that are unique and starkly different from one another.
Fleck is known for his technical and experimental mastery — having authored a banjo concerto with others in the works, he’s as much Strauss as Scruggs. Washburn’s sound, on the other hand, is rustic and sincere. It was spellbinding to Fleck, who said he lost himself in the music and got pulled over for speeding when he first heard one of Washburn’s records. Even on the complexity of all the things I do, it’s something I want to be connected to.
I want to be connected to something that isn’t just fast and furious and complicated.
Services were at 2 p. Keith Martin and Rev. Gene Weinette, pastor, officiating. He worked for the Texas Animal Health Commission from until he retired in
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Scruggs had played an open back banjo using the frailing technique, though as an adult Earl had no recollection of his father’s playing. Scruggs played the pump organ. Scruggs recalls a visit to his uncle’s home at age six to hear a blind banjo player named Mack Woolbright, who played a finger picking style and had recorded for Columbia Records. I couldn’t imagine — he was the first, what I call a good banjo player.
He moved it around depending on what part of the neck he was playing. His first radio performance was at age 11 on a talent scout show.
Washburn Guitars Serial Numbers
This Mandolin is a factory blem but the only flaw it has is a few minor blems that you can see in the last two photos. Other than that it looks and plays great! It is basically brand new besides the flaws. Here is some information on this great mandolin up for bids:
Another popular Washburn model is the USM-HB35 Hollowbody Dual Humbucker Electric Guitar. Sporting a timeless look with state-of-the-art Duncan USM pickups, this guitar is lightweight, and its resonant tone makes it perfect for jazz, blues and rock.
The “F”-style M SW mandolin has a solid spruce top and solid mahogany back and sides for warm sound and great projection. This mandolin delivers excellent playability and well-rounded tones that you want for bluegrass, country, Celtic, rock, and more. Washburn’s M SW mandolin is ideal for all levels of musicians. Spruce-topped mandolin has excellent sound projection Mahogany back and sides deliver classic mandolin tones Since , Washburn has been producing fretted instruments Spruce-topped mandolin has excellent sound projection For optimal projection, the Washburn M SW mandolin is fitted with a solid spruce top.
Spruce has long been used in instruments, ranging from violins to guitars and mandolins, for its bright sound and great projection. An expertly fitted ebony bridge makes full contact with the carved spruce top to capture and transfer the string vibrations of every note you play on the Washburn M SW mandolin. Mahogany back and sides deliver classic mandolin tones Mahogany gives the M SW a warm, well-rounded tone.
Not only does it look great but it adds a midrange tone and volume that other woods don’t. The Washburn M SW mandolin sports a solid mahogany back and sides to deliver outstanding acoustic tones. Since , Washburn has been producing fretted instruments With humble beginnings in Chicago dating back to the s, Washburn is an American institution in musical instrument manufacturing.
From guitars to mandolins, banjos, ukuleles, and more, Washburn has long been a recognized and cherished brand among musicians.